Adler (1956) used the analogy of the playwright who builds the characteristics and the subplots of the play according to the final goal of the drama. When the final scene is known, all dialogue and every subplot acquire new meaning. When an individual’s final goal is known, all actions make sense and each subgoal takes on new significance. (Feist & Feist, 2008)
Tuesday, June 04, 2013
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